BRITAIN FROM ABOVE
- Rare and fragile aerial photos from Aerofims Collection salvaged, conserved and now online
- Public help needed to identify “mystery” locations
More than 15,000 images from one of the earliest and most significant collections of aerial photography of the UK have been made freely accessible online to the public for the first time.
Britain from Above, a new website (www.britainfromabove.org.uk) launched today (25 June 2012) by English Heritage and the Royal Commissions on the Ancient and Historical Monuments of Scotland and Wales, features some of the oldest and most valuable images of the Aerofilms Collection, a unique and important archive of over 1 million aerial photographs taken between 1919 and 2006. Its chronological and geographical coverage is superb and documents the face of Britain during a period of intense and unparalleled change.
The photographs featuring on the website date from 1919 to 1953, and have gone through a painstaking process of conservation and cataloguing. Due to their age and fragility, many of the earliest plate glass negatives were close to being lost forever.
The Aerofilms Collection was acquired for the nation in 2007 when the company was facing financial difficulties. With the support of the Heritage Lottery Fund and the Foyle Foundation, English Heritage and the Royal Commissions embarked on a programme to conserve, catalogue and digitise the collection and make it freely available online.
Highlights from the collection include: the 1935 FA Cup final at Wembley Stadium; the Thames Flood of 1947 in which over 100,000 properties were affected; Blackpool in 1920; crowds on the banks of the River Clyde watching the first voyage of the newly-built RMS Queen Mary in 1936; the famous Gleneagles Hotel in Perthshire, host of the 2014 Ryder Cup, pictured in 1932; the historic stadium Cardiff Arms Park in 1932; and a scene of Rhondda Fawr, one of the largest mining valleys in southern Wales.
See and download a selection of images here: https://picasaweb.google.com/101554616913588617820/Aerofilm?authuser=0&authkey=Gv1sRgCL2H9timsYOLaQ&feat=directlink
Britain from Above website features a high degree of interactivity and is designed to encourage wide public participation. Users can download images, customise their own themed photo galleries, share personal memories, and add information to enrich the understanding for each of the images. They are also invited to identity the locations of a number of “mystery” images that have left the experts stumped.
Anna Eavis, Head of Archive at English Heritage, said: “The Aerofilms Collection embodies all that is exciting about aerial photography. What is equally remarkable is the skill of the expert staff in England, Scotland and Wales who have saved and conserved these vulnerable negatives and prints and converted them into the high resolution images you see on screen today. We are pleased that the items have been given safe, long term homes, and that each of the organisations involved has been enriched immensely by their addition.”
Rebecca Bailey, Head of Education and Outreach at the Royal Commission on the Ancient and Historical Monuments of Scotland (RCAHMS) said, “The history of Aerofilms is inextricably linked to the history of modern Britain. The original pilots and photographers were veterans of the First World War, and they brought specialist skills learned in the conflict to the task of capturing the nation from the air.
“Between 1919 and 1953, there was vast and rapid change to the social, architectural and industrial fabric of Britain, and Aerofilms provides a unique and at times unparalleled perspective on this upheaval. We hope that people today will be able to immerse themselves in the past through the new website, adding their own thoughts and memories to this remarkable collection.”
Dr Peter Wakelin, Secretary of the Royal Commission on the Ancient and Historical Monuments of Wales, said, “People are always fascinated by views of familiar places from above, and in these you have the added values of seeing those places through time too. We know people are hugely engaged by these kinds of images, and I’m sure they will soon be among the most popular in our collections.”
By the end of the project in 2014, 95,000 images taken between 1919 and 1953 will be available online, showing the changing face of modern Britain.
(With thanks to Renee Fok at English Heritage)
Chris
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